AWild Sheep Chase

In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.

Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.

Haruki Murakami's third novel, A Wild Sheep Chase is the mystery hybrid which completes the odyssey begun in Hear the Wind Sing and Pinball, 1973.

The man was leading an aimless life, time passing, one big blank. His girlfriend has perfectly formed ears, ears with the power to bewitch, marvels of creation. The man receives a letter from a friend, enclosing a seemingly innocent photograph of sheep, and a request: place the photograph somewhere it will be seen.

Then, one September afternoon, the phone rings, and the adventure begins. Welcome to the wild sheep chase.

'Mr. Murakami's style and imagination are closer to that of Kurt Vonnegut, Raymond Carver and John Irving' New York Times

Wonderfully easy to read and just as wonderfully difficult to make sense of...like the narrator, who slowly accepts the presence in his life of mystery, we slowly recognize the possibility of a new kind of world. Like him, we lean forward and topple headlong into magicIt begins as a detective novel, dips into a screwball comedy, and at its close becomes a tale of possession...A highly accomplished piece of craftsmanshipMr. Murakami's style and imagination are closer to that of Kurt Vonnegut, Raymond Carver and John IrvingA Wild Sheep Chase has the conventional hull of a thriller - a quest, a mystery, an extraordinary woman, and plenty of elegant duress - but its fantastic superstructure transforms it into something quite different...a science fiction fantasy, a romance, a metaphysical tease, or a dramatisation of philosophical ideasIf you consider yourself an intelligent, sensitive common reader but wish to accommodate something a little removed from your experience, and probably your imagination, I dare you to turn your eyes towards Murakami and head off on a wild sheep chase.