🚚 Free Shipping on orders above Rs.500
Product Description
For readers of Sally Rooney, Ottessa Moshfegh, Meg Mason and Patricia Lockwood, this is an astounding debut that places the reader in 1960s New York through the disorienting world of Andy Warhol and his Factory, and the coming of age of its brilliantly imagined protagonistFlattery's prize-winning stories have been chosen for best of round ups by Sally Rooney, Jon McGregor and Gavin Corbett, and won awards including the 2017 White Review Short Story Prize and the 2019 Irish Book Awards Short Story of the Year. Her short story collection Show Them A Good Time was lauded by critics, and her debut novel is sure to receive similar acclaim.Nicole Flattery's work has been published in the London Review of Books, Stinging Fly, White Review, Dublin Review, New York Times, Sight & Sound Magazine, Winter Papers and the 2019 Faber anthology of new Irish writing. Her story 'Track' won the 2017 White Review Short Story Prize, and her story 'Parrot' won the Irish Book Awards Story of the Year prize in 2019. Her first book, the story collection Show Them a Good Time, won the 2020 London Magazine Prize for Debut Fiction and the Kate O'Brien Award.A 2023 HIGHLIGHT FOR: THE TIMES * TELEGRAPH * STYLIST * GQ * GUARDIAN * HARPER'S BAZAAR * GOOD HOUSEKEEPING * WATERSTONES * i-D * IRISH TIMES * HUFFINGTON POST UK
_______________
'A blade-sharp coming-of-age novel' SPECTATOR
'Confirms Flattery as a bracingly original writer' IRISH INDEPENDENT
'In enviably elegant prose, she manages to be both arch and deadly serious' LOUISE KENNEDY
_______________
A wildly original debut novel about two young women navigating the complex worlds of Andy Warhol's Factory, and coming of age in 1960s New York
New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol.
Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.
Nothing Special is a whip-smart coming-of-age story about friendship, independence and the construction of art and identity, bringing to life the experience of young women in this iconic and turbulent moment.
_______________
PRAISE FOR SHOW THEM A GOOD TIME:
'A masterclass . . . Bold, irreverent and agonisingly funny' Sally Rooney
'Announces the arrival of a brilliant talent' Financial Times
'Explores difficult questions about self-worth, agency and intimacy with thrilling sharpness' Sunday Times
'Demands repeated reading' Jon McGregorA wildly original debut novel about two young women navigating the complex worlds of Andy Warhol's Factory, and coming of age in 1960s New York[A] blade-sharp coming-of-age debut novel . . . [Flattery] captures the absurdity and the pain, the texture of city streets and the squalid luxury, and brings a deadpan wit to the whole sex and drugs and Pop-art sceneThis debut novel is that rare thing, an original, off-kilter coming-of-age story, in which life and art collide in unsettling waysNothing Special is as stylishly written as its predecessor Show Them a Good Time. Indeed there are shades of Saul Bellow, in her rendering of New York that 'shrieking cartoon hell' . . . [Flattery] deserves only praiseNothing Special confirms Flattery as a bracingly original writer; her observations clear-eyed and cool-headed, never pretentious. Readers may be tempted to underline every other sentence in this striking debut from an exciting new voice'Flattery demonstrates here how she can shape on a larger scale and be incredibly inventive in the process . . . [Her] willingness to be ugly and merciless on the page is what makes her work so relentlessly engagingA riveting read about fame, myth-making and finding your own identityFlattery is a keen observer of relational dynamics in groups of women, and how these connections can both support and strangle. Her characters feel complicated and realIf you've ever found yourself obsessing over Edie Sedgwick (her biography by Jean Stein is a must-read) then Nothing Special will be right up your street. Set against 60s New York and Andy Warhol's Factory, this is a coming-of-age story that conjures up the lure of the eraNicole Flattery's treatment of determined, bewildered young women - as they discover the vast distance between how they are perceived and how they feel themselves to be - is brilliantly gloomy, droll and so out-of-body as to be real . . .They try on and take off their survival instincts like costumes, in a painful, beguiling, apt twist on art for art's sake. The authenticity of Flattery's work offers its own reassurance that sometimes art is goodThere are many things to enjoy in Nicole Flattery's debut novel . Mae is an engaging protagonist with a wit about her coming-of-age strugglesA sharp portrait of New York's art scene in the sixties and one woman's place in it. Through inventive prose, Flattery writes into history the under-celebrated voices, and she does it in a masterful way. A superb novelIn enviably beautiful prose, she manages to be both arch and deadly serious. Wonderful stuff.Audacious, original and fully achieved - this is a remarkable novelOne of the most exciting releases of 2023 . . . A dizzying exploration of sex, freedom, art and voyeurism, seen through the coming-of-age of 17-year-old Mae. Deftly woven and captivating, it signals the arrival of a new literary talentTold with dry wit and sharp observation, Nothing Special speaks in a profound and original way to our age of vacuous consumerism, our empty quests for self-discovery, and our parasitism on celebrity and trend . . . A bold and funny coming-of-age novel about the emptiness of the cult of self, the fetishisation of fame, and the aimless drift of late-stage capitalismFlattery's sentences are astonishing. Their wit and ingenuity, the apt oddness of her metaphors, are addictive and relentlessly delightful, and then all of a sudden her language snaps into an exactness of feeling that knocks you sideways. A special, singular, blazingly original and truly achieved first novelI couldn't put this razor sharp, darkly funny coming-of-age story downA wry, witty and wonderful novel from a brilliantly captivating storytellerI derive so much energy from Nicole Flattery's writing. Nothing Special casts such a stylish and transportive spell, perhaps it's better to dust off adjectives like "marvelous" and "fabulous." I'll never again ride an escalator without thinking of this book
Product Details
Title: | Nothing Special |
---|---|
Author: | Nicole Flattery |
SKU: | BK0508746 |
EAN: | 9781526612090 |
About Author
Nicole Flattery is the author of the story collection Show Them A Good Time. She is the winner of An Post Irish Book Award, the Kate O'Brien Prize, the London Magazine Prize for Debut Fiction, and the White Review Short Story Prize. Her work has appeared in the Stinging Fly, the Guardian, the White Review, and the London Review of Books. A graduate of the master's program in creative writing at Trinity College, Dublin, she lives in Galway, Ireland.