Fantastic . . . This
Black Mirror take on the world of language opens up questions of cultural appropriation, the power of language, memory and privilege . . .
Siddiqi’s easy storytelling and her heroine Anisa’s sweet narrative voice slip down like summer rosé. Siddiqi has the gift of maintaining propulsion and mystery, while keeping things human and realistic . . .
compelling . . . wonderful An absolutely stunning and unique novel . . . A book that is
not only thrilling but deeply thought provoking, a combination that is truly rareSiddiqi . . . has
the gift of maintaining propulsion and mystery, while keeping things human and realistic . . .
a wonderful novelCreepy, provocative and wildly entertaining . . . I was grippedIngenious . . . This is a book whose many
delights and horrors are unlikely to be lost in translation
The Centre is a banger! . . . A book that feels both cheery and terrifying, The Centre draws you in with a gentle hand until it throws the mallet down in the last thirty pages.
A terrific meditation on language, diaspora, alienation, and culture, it will stay with you long after you read Propulsive and profound. I was gripped by the mystery haunting the core of the book — and equally gripped by Siddiqi’s exploration of the power of language . . .
a debut of dazzling wit and insightA
twisting mystery and nuanced exploration of identity and assimilation,
The Centre cuts deep . . .
A compelling, witty, sometimes gruesome tale of how we use language to connect and to sever, appropriate and exploreI am obsessed with this book and you will be too! A brilliant meditation on language and translation and
the most gripping novel I've read in forever . . . I'm in aweAs
haunting as it is tempting;
this book devoured me backA gripping, surreal mystery about language, identity, and greed.
The Centre explores impossible success at an equally impossible price—and the difference between merely paying for something and truly understanding its dark costThe
most fascinating debut I've read in years—enigmatic, biting, absurd, and right when you think you've got it figured out, utterly horrifying
Incredible . . . it's
creepy AF, in the best way possible.
Highly recommend!Filled with
astute insights into life as a brown person in a predominantly white country . . .
A fast-paced thriller with its finger firmly on the pulse of contemporary social discourseManazir Siddiqi’s ambitious debut
packs insightful observations about racism, classism, and colonialism into a dark mystery . . .
a writer to watch[An]
inventive debut...
The Centre informs the current social discourse by offering
wry, shrewd insights into colonialism, appropriation and classism, resonant of Elaine Hsieh Chou’s
Disorientation and RF Kuang’s
YellowfaceTruly
fascinating . . .
a dialogue-rich drama with comic undertones and
a creepy thriller nestled withinA darkly comic, boundary-pushing debut following an adrift Pakistani translator in London who attends a mysterious language school which boasts complete fluency in just ten days, but at a secret, sinister cost.
'Absolutely stunning . . . thrilling and unique' - Gillian Flynn
'Creepy, provocative and wildly entertaining' - Emma Stonex
'A banger!' - Chelsea G Summers
'Fantastic . . . compelling . . . wonderful' - The Observer
Welcome to The Centre. You'll never be the same . . .
Anisa Ellahi spends her days writing subtitles for Bollywood films in her London flat, all the while longing to be a translator of ‘great works of literature’. Her boyfriend Adam’s extraordinary aptitude for languages only makes her feel worse, but when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret.
Adam tells Anisa about the Centre, an elite, invite-only programme that guarantees total fluency in any language in just ten days. Sceptical but intrigued, Anisa enrols. Stripped of her belongings and contact with the outside world, she undergoes the Centre’s strange and rigorous processes. But as she enmeshes herself further within the organization, seduced by all that it’s made possible, she soon realizes the disturbing, hidden cost of its services.
By turns dark, funny and surreal, The Centre takes the reader on a journey through Karachi, London and New Delhi, interrogating the sticky politics of language, translation and appropriation with biting specificity, and ultimately asking: what price would you be willing to pay for success?
A remarkable debut from Ayesha Manazir Siddiqi, announcing the arrival of an extraordinary new talent.
Ayesha Manazir Siddiqi has written plays, essays, book reviews and short stories. Her work has appeared in publications including
The Independent, CeaseFire Magazine, The Theatre Times, Wasafiri and
Media Diversified. Her plays have been staged widely. Ayesha also works as an editor and occasional translator. She was a contributing editor for
The Trojan Horse Affair, a podcast by
The New York Times. Ayesha is from Karachi and lives in London.
The Centre is her first novel.