Born in Afghanistan in 1962, Atiq Rahimi fled to France in 1984. There he has made a name as a writer, film and documentary maker of exceptional note. The film of his first novel,
Earth and Ashes, was in the Official Selection at Cannes, 2004. He is adapting his second novel,
A Thousand Rooms of Dream and Fear, for the screen. Since 2001, he has returned to Afghanistan many times to set up a Writers' House in Kabul and offer support and training to young writers and film-makers. He lives in Paris.
A young woman prays at her husband's bedside as he lies in a coma with a bullet in his neck. From outside come the sounds of tanks, gunshots, screaming and, most terrifying of all, silence. Inside, her two frightened daughters call to her from the hallway.
As she tries to keep her husband alive, the woman rages against men, war, culture, God. Even as her mind appears to unravel, she becomes intensely clear-sighted. Now is her chance - her first ever - to speak without being censored. Her husband's body reminds her of the legend of the patience stone, a stone that hears all confessions until it explodes, and finally, spurred to new heights of daring, she spills out her most explosive secret.
A deceptively simple book, written in a spare, poetic style. But it is a rich read... It is without doubt an important and courageous bookThis is a remarkable novel, written with a beautiful lucidity... it is a book which achieves what imaginative literature can provide better than any art form: it makes you think and feel at the same timeAn important and shocking polemic; it will outrage readers for the truths it revealsWe know so little about the day-to-day life of people in Afghanistan - and in particular its women - that glittering gems such as this ... become all the more valuable for shining a torch on a beleaguered and largely unseen existenceHer monologue is a direct attempt on the part of Rahimi to rip away the veil over Afghan women's lives... An act of political courage and a beautifully constructed, deeply memorable novella
