Worth Dying For

Lee Child is one of the world's leading thriller writers. He was born in Coventry, raised in Birmingham, and now lives in New York. It is said one of his novels featuring his hero Jack Reacher is sold somewhere in the world every nine seconds. His books consistently achieve the number-one slot on bestseller lists around the world and have sold over one hundred million copies. Lee is the recipient of many awards, most recently Author of the Year at the 2019 British Book Awards. He was appointed CBE in the 2019 Queen's Birthday Honours.

'If anyone can put down Worth Dying For after the first few pages, then they shouldn't really be reading thrillers at all' Independent

There's trouble in the deadly wilds of Nebraska . . . and Reacher walks right into it. He falls foul of the Duncans, a local clan that has terrified an entire country into submission.

But it's the unsolved case of a missing eight-year-old girl that Reacher can't let go.

Reacher - bruised and battered - should have just kept going. But for Reacher, that was impossible.

What, in this fearful county, would be worth dying for?

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Although the Jack Reacher novels can be read in any order, Worth Dying For follows on directly from the end of 61 Hours.

And be sure not to miss Reacher's newest adventure, no.27, No Plan B! ***OUT NOW***

A sequel to the terrific 61 Hours (try to read it first)... one of the great storytellers of the thriller genreHis is an ironclad storytelling ethos, a gift for narrative that grips like the proverbial vice... Reacher, as ever, is sui generis - a violent force for good set down by the author to eliminate evil and move on. But what counts is Child's ability to keep the reader turning the pages. If anyone can put down Worth Dying For after the first few pages, then they shouldn't really be reading thrillers at allAs a warrior who lacks a car, credit card, phone or weapon of his own, and has no continuing human ties or home, he is even more of a lone, denuded outsider than Lisbeth Salander, the heroine of Stieg Larsson's Millennium trilogy. Both are avengers who play on our atavistic instincts: when we cheer their lethal justice - if we do - we're acknowledging the pull of a primitive hatred that demands death and can't wait, scornful of the protracted pussyfooting of the lawWorth queuing up forExplosive as ever